Commercial displays
Built for sixteen or twenty-four hours a day, with the control ports and warranty a consumer television does not have.
Read moreNothing matches that. Try “menu”, “LED” or “wayfinding”.
Displays specified around your environment, not around a brand we happen to stock. Viewing distance sets the pitch; ambient light sets the brightness.
The commercial display range we quote from most often, with what each format is for and where it goes. Browse it here, or take the whole thing away as a PDF.
A supplier who stocks one manufacturer will find a reason that manufacturer suits your room. We would rather specify from the room and tell you afterwards what it turned out to be, because the wrong screen in the right place is a problem you live with for five years.
In practice this means we regularly specify something cheaper than the customer expected. A coarser pixel pitch nobody will be close enough to notice. A standard display instead of a high-brightness one because the window faces south. Those recommendations cost us margin and they are the reason the network still looks right in year three.
You can take most of these yourself with a tape measure before anyone visits, and they will change the specification more than any brand preference.
The furthest point someone will read the screen from. This single number drives more of the specification than anything else.
Text height wants to be roughly one two-hundredth of the viewing distance. That sets the minimum screen size for your content.
For LED this sets the pixel pitch, and getting it wrong in either direction is expensive.
Looked at during the brightest part of the day, not whenever the survey happened to be booked.
Decided by the content, then checked against what the display is actually rated for.
At the exact position. In an older building this is regularly the largest single cost in the job.
Yes, and we will give you a written specification to buy against. Be aware of what you take on: warranty claims, the wrong model arriving, and the gap that opens when a display fault becomes a conversation between two suppliers. Some customers are well set up for that and some are not, and we will say which we think you are.
Whichever suits the room. We work with the established commercial display and LED manufacturers and we will name what we are proposing, with the reasoning, in the quote. If you have a preferred brand for support or procurement reasons we will work to it, or tell you plainly where it will not do the job.
In normal indoor use, comfortably several years, and the panel is rarely first to date. Software support for a built-in player usually ends sooner than the screen fails, which is why we plan a refresh path and hold spares for larger networks rather than treating each failure as an emergency.
For managed networks, yes, and it is part of how we size the service. A spare display and player held for a group of sites costs far less than a busy screen being dark for the length of a supplier lead time, which on some models is measured in months.
A first conversation costs you nothing and usually takes twenty minutes. Bring a photo of the wall and a rough idea of what you want it to do.